Category Archives: Անգլերեն

How laughter will help strengthen immunity

To date, various healing properties of laughter have been confirmed by studies that have shown that laughter increases the amount of oxygen consumed by the body, enhances the work of the heart, lungs and muscles. It also helps to stimulate blood circulation and at the same time relaxes muscles. Even 10 minutes of laughter can lower blood pressure and reduce the risk of cholesterol plaques. In addition, laughter stimulates the brain to produce more endorphins, neurotransmitters that not only make you happier, but also reduce the feeling of pain. Laughter strengthens your immune system, improves your mood, reduces pain and protects you from the devastating effects of stress. Nothing works faster and more reliably to bring your mind and body back into balance than cheerful laughter. Humor gives hope, brings people together and helps to get rid of anger faster. Laughter can even prolong life. A study conducted in Norway showed that people with a strong sense of humor experience those who do not laugh so much. This difference was especially noticeable for those who fought cancer. In the article “Laughter by Recipe” by William B. Strean notes: “Let’s start thinking that along with eating vegetables and getting enough sleep, laughter is a reasonable recipe as a great way to improve your health.” Let’s take a closer look at the relationship between laughter and the lymphatic and immune systems. The lymphatic system is a highly effective cleansing conglomerate, which is the basis of the immune system. What does laughter have to do with the lymphatic system? The answer is very simple. When you laugh, the diaphragm becomes a powerful pump for your lymphatic circulation, just as your heart serves as a central pump that promotes blood through the vessels. This helps lymphatic vessels carry this fluid through your body and helps lymph nodes clean and filter this liquid, removing waste, dead cells and unwanted microorganisms. Increased lymphatic flow = increased, improved immune system only due to the simple nature of more lymph passing through the nodes, thus producing more lymphocytes, antibodies, etc. By involving the diaphragm in any type of deep breathing (including laughter), the parasympathetic nervous system is immediately activated. The parasympathetic nervous system signals a slowdown to all the body’s systems, thus producing “well-being” hormones (endorphins), which signal stress hormones to cool it. Once this signal is received, blood pressure drops, the heartbeat slows down, and the general radiance of “happiness at the moment” replaces anxiety/stress – the perfect “domino effect”. For example, it was found that watching a one-hour comedy video gives:

Increased number and activation of T-cells.

Increased number of helper T-cells (cells attacked by the AIDS virus).

Increased ratio of helper / suppressor T-cells.

Increased number and activity of natural killer (NK) cells.

Increased level of gamma interferon.

Increased number of b-cells.

Here are some quotes from famous doctors:

“The simple truth is that happy people don’t usually get sick.” – Bernie Siegel, MD (a globally recognized expert in cancer treatment and complementary holistic medicine).

“The best clinicians understand that there is an internal physiological intervention caused by positive emotions, such as cheerful laughter, optimism and Hope.” – Lee Burke, MD, Associate Professor at Loma Linda Medical School

“For the most part, when you go for treatment, the doctor won’t necessarily tell you to take two aspirin pills and watch a comedy, but the impact of laughter is as real as taking a drug.” – Lee Burke. “Believe it or not, but truly sincere laughter can also help. This is because laughter makes the diaphragm move, and it plays a vital role in the movement of blood throughout the body.” – Dr. Andrea Nelson, University of Leeds School of Medicine.

With such a huge power of healing and renewal, the ability to laugh easily and often is a huge resource for overcoming problems, improving your relationships and maintaining both physical and emotional health. Best of all, it’s a priceless medicine – fun, free and easy to use. As a child, we laughed hundreds of times a day, but now that we have become adults, life has become more serious and laughter is more rare. 6 ways to increase the amount of laughter in your life:1. Spend time with children; they like to laugh, a lot, and laughter is contagious.2. Surround yourself with positive, carefree people (because, again, heart laughter is contagious!).3. Read anecdotes and comics.4. Watch a new comedy in the movies or on TV (even better if you watch it with friends who also like to laugh).5. Don’t be afraid to laugh at yourself! 6. Join the laughter club (yes, they do exist). What if you really can’t “find something funny”? Believe it or not, you can laugh without experiencing a funny event, and the imitation of laughter can be as useful as the real thing. It can even make the exercises more exciting and productive. A study by the University of Georgia showed that the inclusion of simulated laughter attacks in the exercise program helps to improve the mental health of the elderly, as well as their aerobic endurance. In addition, hearing others laugh, even for no apparent reason, you can often cause genuine laughter. To add an imitation of laughter to your own life, look for groups of Laughter Yoga or laughter therapy. Or you can start just laughing at other people’s jokes, even if they don’t seem funny to you. Both you and the other person will feel good, it will bring you closer together, and who knows, maybe it will even lead to some spontaneous laughter.

WHAT IS MAGICAL REALISM AND HOW TO UNDERSTAND IT

History of the term

Magic realism is a special artistic and literary method in which reality is intertwined with unreality, a miracle.

This term was first used by art historian Franz Roo to describe avant-garde painting of the early 20th century. In his opinion, expressionists who break the perspective and deliberately distort the space in the paintings, in fact, so express their horror from the changing modern world – it is worth remembering the picture of E. Munch “Scream.”

Magicalists, on the contrary, are trying to overcome this horror by creating another, wonderful world that is closely connected with the real world. They’re going to the two world.

Duality is a concept of mutual penetration and coexistence of two worlds: the present and the invented. Unlike reality, the imaginary world is ideal and perfect for the artist, and the rules of this world can change depending on his desires.

The term magical realism was first applied to literature by Massimo Bontempelli. He published the magazine “Novecento” and developed the theory of Franz Roo on its pages. Bontempelli, like Roo, believed that the world is multidimensional for magical realists. It contains both imaginary and reality, and the person himself within this world can travel and choose the dimension where he is more comfortable. Bontempelli called this property of the world spiritual geometry. With the help of it, a person can find a “spiritual homeland”, find their place and harmony.

Miracle in magical realism: what is it?

Despite the fact that the term “magic realism” originated in Europe, it is firmly linked to Latin American literature.

It all started with the Spanish colonizers. In 1492, Columbus discovered Latin America. At that time, indigenous Indians live there with their own traditions, beliefs, legends and way of life. And the world that Europeans see when they dock at an unfamiliar shore is very different from the one they are used to. Conquistadors chronicle and record everything they see, comparing it to life at home.

From these records it is clear that for them this place becomes a place of miracles, something magical, while for the Indians it remains a reality.

Gabriel Garcia Marquez, a iconic magical realist for world literature, once said:

It always amuses me that imagination deserved the greatest praise in my work, although in fact I do not have a single line that does not rely on reality. The problem is that on this continent reality is like the fruit of the most violent imagination.

It turns out that magical realism (literally the magic of reality) is the basis of Latin American life. They see the world multidimensional, full of miracles and do not perceive it as something unusual. While Europeans were so struck by life in Latin America that they came up with a separate name for the literary direction that describes this life.

Magical realism and fantasy: what’s the difference

Fantasy and fantasy are separate genres of literature. They have unusual heroes and a magical, unrealistic world in which they exist. In magical realism, the characters are ordinary people, and the world around them is also quite real. Only a miracle is interwoven into it, which no one perceives as something unusual.

Signs of magical realism as a literary method

The flow of time is distorted. For example, the present repeats the past or changes places with it, heroes often see dreams that replace reality, enter a trance state. Time is perceived as a convention, so it can slow down and accelerate, split and distort.

There are folklore elements, motives of legends and talls. The myth in magical realism is not only a reference and creation of colorful images, but also a way of knowing the existing reality. Through myth, legends and beliefs, writers are trying to comprehend the world we live in now.

Open final. Such an ending is not unique in itself, but in magical realism there are always more questions than answers. The deliberately open ending makes the reader sum up and draw a conclusion from what he has read.

Topics of loneliness, unrepeny and rethinking of the existing reality. Despite the abundance of events, the heroes of magical realists are usually very lonely. They are trying to understand why they live and are endlessly looking for their place in this multifaceted world.

Virtual reality – what is it?

Everyone who uses the Internet or plays computer games has heard about virtual reality at least once. But what does it represent, what opportunities does it hide?

Virtual reality is a world that does not really exist, created with the help of technical means artificially. With the help of virtual reality systems and tools, a person, immersing himself in it, can perform the same actions as in real life, interact with the world around him. Simply put, BP is a simulated reality that creates the illusion of the user’s presence in the artificial world, his interaction with objects and objects of this world with the help of sensory organs – ears (hearing), eyes (sight), skin (tense), etc. Virtual reality is also called artificial, electronic, computer reality and is often confused with augmented reality. But augmented reality

Only complements the real world by adding elements of artificial to it, while the world of virtual reality is completely artificially created.

The term “artificial reality” first appeared in the late 1960s. One of the first virtual realities created is the Aspen Cinema Map, invented in 1977. In this virtual reality, you could walk around the city of Aspen, choose different ways to display objects, including in this virtual reality there was a winter and summer cityscape. The more famous and widespread concept of “virtual reality” was introduced by Yaron Lanier in 1989.

Virtual reality can be of several types: passive VR is only an image and its accompaniment by sound, a person in such VR does not control anything, the examined VR – in such VR there is a limited choice of sound and image scenarios, as well as human actions, interactive VR – the user chooses the scenarios himself, controls such VR.

Virtual reality devices

Full immersion in virtual reality and interaction with its objects is achieved only with the use of special devices. Such devices that provide full immersion in virtual reality and simulate human interaction with it with the help of all senses (eyes (vision), ears (hearing), tongue (taste), nose (smance), skin (tang), vestibular apparatus (feeling of balance and position in space, acceleration, sense of weight)) are called VR systems.

These include:

Image systems,

Sound systems,

Systems for simulating tactile sensations,

Management systems,

Systems of direct connection to the nervous system.

Virtual reality imaging systems

The image systems with which the image is generated and displayed in virtual reality include helmets and glasses (which is basically the same), as well as special monitors.

The virtual reality headset, more like virtual reality glasses, has one or more displays for image output, separately for the left and right eyes, a lens system that corrects the image geometry, as well as a system for tracking the position of the device in space.

A virtual retinal monitor transmits the image directly to the retina of the eye, it seems to hang in front of the eyes, in the air. This is more closer to augmented reality, because there is an overlay: elements of virtual reality are superimposed on real-world objects. But under certain conditions (for example, almost complete absence of light), the effect of presence in VR is possible.

Virtual reality sound systems

Orientation of the user with the help of hearing in virtual reality is provided by modern acoustic systems, thanks to which sound sources are localized. The use of various technologies that simulate sound in the real world (reflection of sound, passing it through obstacles, etc.) creates the effect of human presence, the sound is as close as possible to sounds in the real world.

Tactile sensation simulation and virtual reality control systems

Tactile sensation simulation systems include devices called Heptics force feedback. (feedback devices).

Management in BP takes place by contact and non-contact methods. When contacting, the user uses “substitutes” for the keyboard and mouse – steering wheel, pedals, pistol with the function of the target pointer. With the contactless method, the control is carried out by virtual reality gloves, as well as tracking the positions of the hands with the help of several video cameras. A virtual reality suit is also used for control, part of which are gloves, which tracks the position of the body in space, and can convey feelings of tactile contact, temperature changes.

Direct connection systems to the nervous system

Such systems (sensors) transmit data directly to the nerve endings and directly to the brain. But they are very expensive and do not fully ensure the quality of data transmission for full immersion in VR.

Application of virtual reality

Initially, virtual reality technologies were used only for military purposes – to train soldiers, simulate battles, but recently they have been successfully used in various fields. For example, virtual 3D reality in production allows you to teach professions where the use of real mechanisms and devices is risky or very costly (for example, in mechanical and aircraft construction, train driving, etc.).

In architecture, VR (virtual reality) is used to recreate future buildings and their elements, model the interior.

In medicine, VR helps to train the skills of surgeons, and real operations are also performed with the help of virtual reality devices.

BP’s capabilities in the field of games, entertainment and learning are limited only by imagination. The most common are all kinds of virtual reality attractions, virtual reality for PC: 3D games and simulators (for example, air and car simulators, real life simulators).

Despite the already impressive achievements in the field of virtual reality modeling, it is too early to talk about the full reproduction of the real world: full 3D virtual reality is not yet possible. Even the most modern VR devices, which provide the transmission of sounds and images, actions and tactile sensations, cannot yet provide the full effect of immersion in VR, which would completely repeat reality. But progress does not stand still, every year new technologies appear and devices for VR are improved, including virtual reality for a smartphone, and, who knows, maybe very soon there will be a virtual world indistinguishable from the real one.

What is art therapy, who needs it and why?

Art therapy is one of the areas of practical psychology, which uses various types of creativity to psychologically help a variety of clients in solving the full range of their personal problems. “Different,” “diversity,” “different” – these words characterize art therapy itself very well.

What is art therapy, who needs it and why?

Even in the very name “art therapy” the authors often put completely different meanings. And the content and possibilities of using art-therapeutic methods have been debated for decades.

Of course, people have always used art to build interaction with the world, to express themselves, to help themselves and others – remember at least rock paintings or ritual dances of primitive people or, for example, the manufacture of ritual dolls, and also – amulets to protect against diseases and treat them. However, the emergence of art therapy as a separate area of psychological assistance is attributed to the first half of the 20th century. It was then, in the 30s-40s in the UK and the USA independently of each other, artists for the first time began to conduct art classes with patients of hospitals and psychiatric clinics. As a result of this work, the idea that became popular at that time was confirmed that creative activities well helped to recover patients or, at least, to stabilize their condition as soon as possible.

The founder of art therapy is usually called Adrian Hill, an English artist and researcher who was one of the first to use the term “art therapy” to describe his art classes with hospital patients, including wounded soldiers. From the description of A. Hill of the process and the result of these classes, presented in his 1945 book “Art Against Disease”, began its formation, the British School of Art Therapy, which today remains one of the strongest in the world. At the same time, in modern ideas about art therapy, the work carried out by A. Hill, studying fine arts with patients, can be attributed more to therapeutic visual creativity than to art therapy itself as a form of psychotherapeutic practice.

It should be noted that therapeutic visual creativity and art therapy are now considered as two different ways of influencing visual activity on a person, differing in what therapeutic factors and mechanisms of influence work when using each of them.

In modern scientific literature we can find a whole collection of names and terms, each of which emphasizes a certain aspect of art therapy. Some confusion is also made by the fact that “Art” can be translated from English as painting, as art, and as creativity. [3] Among the most common names: creative therapy, expressive therapy, creative self-expression therapy, intermodal art therapy, therapeutic fine arts and others.

And in popular literature, we often see the endowment of the term art therapy with a variety of simplified meanings, which, if they are related to real art therapy, are very, very remote. Because not every drawing can be called art therapy. Moreover, art therapy is not drawing at all.

Art therapy arose at the junction of three different spheres and directions of art study, combining three different angles, view, interest in the influence of art on a person.

Firstly, it is the view of artists on how visual activity affects the physical and mental state of a person, on his health. That’s exactly what A started with. Hill.

Secondly, it is the view of psychotherapists on the possibility of using art to study and harmonize the inner world of man, to overcome the conflict between consciousness and the sphere of the unconscious.

And thirdly, it is the view of psychiatrists on the visual arts as a tool for simultaneously diagnosing mental diseases and stabilizing and protecting the psyche from adverse influences [2].

As part of our course, we talk about art therapy in a broad sense – as a method of psychotherapy that uses the creative activity of the client to solve his psychological problems. In this sense, art therapy includes therapy using visual aids, as well as musical, dance-motor and drama therapy (psychotherapy through stage play). But in more detail we will get acquainted with art therapy in a narrow sense – with psychotherapy through fine art, which includes not only drawing, painting, but also the creation of collages, sculptures, mosaics, installations, dolls, masks, work with makeup, photography – everything that relates to visual arts focusing on visual images.

Without dwelling on the description of various approaches to the theory and methodology of art therapy, let’s talk about the generality of what these approaches unite, and about who and why art therapy can be useful.

So, art therapy can be considered as one of the options for psychotherapy. But the options are specific, significantly different from the usual “conversational” practices.

What is new and unusual that the prefix “art” from the field of art has brought to the field of psychotherapy? And why has it made art therapy so popular and even an indispensable tool of psychological help in many situations?

The first and most important thing is the use of a non-verbal communication channel. Our daily life is filled with words. We know how to manage them so well that sometimes we stop seeing what they’re really hiding.

– How are you?

– It’s okay!

– What’s wrong with you?

– Nothing, it’s okay!

When we need to break through the palisade of our “ok”, “norms” and “I cope”, when we have a crisis, when it is difficult for us, and there is no clarity what is happening to us, when it is so necessary to hear and understand, finally, ourselves, art therapy can introduce us to ourselves anew.

We often do not have words to describe our inner states: it can be too difficult for us. Or it’s a shame. Or it’s very scary to talk. Sometimes we can’t describe in words what’s happening to us and what “pains” in our country. Art therapy will give us the opportunity to explain, and the psychotherapist – to see what is happening to us – without words. You can express your feelings, hear your desires and even sometimes find solutions to the problem without saying a sound.

Second: art therapy appeals to the inner creative capabilities of a person. It allows them to manifest themselves if they were hidden, or to turn around and enter a variety of spheres of life if they have not been used there before. It is hardly necessary to convince anyone of the benefits that creativity brings when solving problems or in the process of our adaptation to changed conditions.

Third, no less important: art therapy leads to solving the problem in the mildest painless way. Often this method brings a person a lot of pleasure – even if the problem is initially related to strong feelings and heavy experiences. Where art is, there is pleasure.

And here, by the way, the fourth: art therapy makes it possible to experience the feelings that we have hidden from everyone and from ourselves deep inside. Considering them too inappropriate, too strong, heavy or indecent. With the help of art therapy, you can part with this inner burden carefully and in a timely manner, before they turn into a depressive state or break through at the most inopportune moment with sudden tears, a flash of rage, a panic attack…

Fifth: with the help of art therapy it is much easier to play. It means to feel different, to change roles, states, age, to be captured by the process, not to expect results from yourself, to make mistakes, not to know, to fool around – in general, to be free. Many of us have almost no place for all this in everyday life.

Sixth: art therapy quite easily and clearly can show us our situation or problem from a different angle, or a different plan: instead of a large one – general and vice versa. And this is exactly what we often lack to solve the problem. At the same time, in art therapy it is also possible to clearly model reality and shy problems and possible solutions, looking at them with an “outer eye” [1].

So who will benefit from the above-mentioned possibilities of art therapy, and to whom is it ready to help?

Sometimes you can hear the opinion that art therapy is suitable only for working with children, people with mental problems, and the elderly. But if you’ve read everything written above, you already understand that it’s not quite true. More precisely, it will be said that there are rarely people for whom art therapy is not suitable categorically. Indeed, children, the elderly and the mentally ill have historically made up the first group of clients of art therapists. However, now the circle of people choosing art therapy as the preferred type of psychological assistance has changed and expanded significantly.

Art therapy will help

Adults who have suffered mental trauma and suffer from post-traumatic stress disorder;

People in crisis; people;

Those who have high anxiety or depression;

People who have experienced violence, including domestic violence;

People with addictions and co-dependence.

Art therapists work with such client problems as emotional instability, feeling of loneliness, interpersonal and intrapersonal conflicts, difficulties in decision-making, emotional burnout. Turning to an art therapist, we can cope with emotional pain (and sometimes physical pain), begin to better understand ourselves, our desires and needs, discover new resources and acquire new ways to achieve goals, develop more effective behavior strategies and improve the quality of life in general.

Hotels in the Gegharkunik region

Harsnaqar Hotel

Location: Gegharkunik / Sevan

Min price 21.000 AMDHotel Complex Harsnaqar offers its services to visitors for more than 15 years. Harsnaqar is one of the most attractive places of interest that..

Hotel Complex Harsnaqar offers its services to visitors for more than 15 years. Harsnaqar is one of the most attractive places of interest that offers mountain lake Sevan. The complex has a territory of 17 hectare and is situated on the shore of the lake. Harsnaqar meets all modern standards and strict requirements set by tourism sector.

Best Western Bohemian Resort

Location: Gegharkunik / Sevan

Min price 22.000 AMDThe calming and relaxing atmosphere of the hotel complex, together with such comfortable facilities as restaurant, which offers wide range of local..

The calming and relaxing atmosphere of the hotel complex, together with such comfortable facilities as restaurant, which offers wide range of local and European cuisine, Kids Club, Billiards, Pool Bar, situated near the beach, Open Air swimming pool and beach are what one needs for his/her perfect holidays and vacations.

Room Rates Include:

All taxes

Full Buffet breakfast

Open Air Swimming Pool (seasonal)

WIFI internet

Parking

Non-smoking rooms are available.

Children under the age of 5– free of charge.

Children from 6-12 – 50% discount on the extra bed including breakfast.

Extra bed cost is AMD 8000 (including breakfast).

Check-in & Check-out Policy

Check-in time is 14.00 and check-out time is 12:00 noon.

Cancellation policy

Please be kindly informed that cancellations or amendments of confirmed reservations must be done 48 hours prior to arrival by the time 18:00. Failure to do so will result in a one-night cancellation fee. In case of group reservations the cancellation or amendments must be done 10 days prior to arrival by the time 18:00.

Maria Resort

Location: Gegharkunik / Sevan

Min price 20.000 AMDMaria Resort invites you to its corner of sun and beautiful nature by Lake Sevan. In their comfortable suites guests will have access to room..

Maria Resort invites you to its corner of sun and beautiful nature by Lake Sevan. In their comfortable suites guests will have access to room service, satellite TV, tea and coffee making facilities. Outside their rooms our guests can spend time playing billiards or beach volleyball, enjoying the outdoor pool, or simply relaxing in the rest areas inside the large gated territory…

Maria Resort is specially designed to provide travelers with excellent accommodation and high-quality hotel facilities and services during their stay in Sevan , Armenia . Our hotel is situated on the shore of Lake Sevan, just two minutes of driving distance from the Sevan Peninsula , and is one of the closest Sevan hotels from Yerevan . Hospitality is a way of life for us. From the moment of your arrival our experienced team of staff goes to every length to ensure that your holiday is a memorable one. There are 50 standard suites, as well as 8 deluxe and 2 family suites.

Tsovasar Family Rest Complex

Location: Gegharkunik / Norashen village

Min price 32.000 AMDThe family rest house Tsovasar Sevan is a unique complex that was built on the shore of lake Sevan on a territory of 10.000 sq. m and is foreseen for..

The family rest house Tsovasar Sevan is a unique complex that was built on the shore of lake Sevan on a territory of 10.000 sq. m and is foreseen for a comfortable and safe family stay and rest. Tsovasar complex includes also all necessary infrastructures: beach, pool, children playground, tennis and billiard facilities, bar, restaurant, mini market, sauna, etc.  The territory of the complex is surrounded by a fence and there will be security service. Taking into consideration the geographical and climatic conditions of lake Sevan the complex was built of high-quality materials and is completely foreseen also for the winter rest.
The purchase of a property in Tsovasar complex is a profitable investment, as it can become a stable source of income for your family.

Gladzor Cottage

Location: Gegharkunik / Sevan

Min price 28.000 AMDGladzor cottage complex is situated at the shore of Sevan lake, close to the city hospital. It has comfortable furnished 4 and 6 pax 22 cottages. All..

Gladzor cottage complex is situated at the shore of Sevan lake, close to the city hospital. It has comfortable furnished 4 and 6 pax 22 cottages. All of them are comfortable furnished.

Noy Land Resort

Location: Gegharkunik / Chkalovka communitycoastal area

Min price 25.000 AMDThrough our passion, integrity and customer focus we strive to be the Resort Hotel of choice in the Lake Sevan region, with warm and friendly team..

Through our passion, integrity and customer focus we strive to be the Resort Hotel of choice in the Lake Sevan region, with warm and friendly team dedicated to serving you to have an unforgettable and personalized stay, thus providing the true Armenian Hospitality.
We promise to provide outstanding service in an atmosphere of high quality, comfort, hospitality, relaxation and with great respect for environment, employees and community.

Tufenkian Avan Marak Tsapatagh

Location: Gegharkunik / Tsapatagh village

Min price 24.000 AMDThis rustic property sits in a small farming and fishing village 126 km north-east of Yerevan, on the eastern shore of Lake Sevan. The hotel has 34..

This rustic property sits in a small farming and fishing village 126 km north-east of Yerevan, on the eastern shore of Lake Sevan. The hotel has 34 rooms, each has a private balcony with spectacular views of Lake Sevan. Avan Marak Tsapatagh offers multiple recreational facilities, including an outdoor swimming pool, hot tab, sauna, billiards, table tennis, as well as provides hiking maps to explore the picturesque sides of surrounding area.

Pablo Picasso

Spanish artist

Pablo Picasso, in full Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano María Remedios de la Santísima Trinidad Ruiz Picasso, also called (before 1901) Pablo Ruiz or Pablo Ruiz Picasso, (born October 25, 1881, Málaga, Spain—died April 8, 1973, Mougins, France), Spanish expatriate painter, sculptor, printmaker, ceramicist, and stage designer, one of the greatest and most-influential artists of the 20th century and the creator (with Georges Braque) of Cubism. (For more information on Picasso’s name seeResearcher’s Note: Picasso’s full name.)

The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive. For nearly 80 of his 91 years, Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.

Life and career

Early years

Pablo Picasso was the son of José Ruiz Blasco, a professor of drawing, and Maria Picasso López. His unusual adeptness for drawing began to manifest itself early, around the age of 10, when he became his father’s pupil in A Coruña, where the family moved in 1891. From that point his ability to experiment with what he learned and to develop new expressive means quickly allowed him to surpass his father’s abilities. In A Coruña his father shifted his own ambitions to those of his son, providing him with models and support for his first exhibition there at age 13.

The family moved to Barcelona in the autumn of 1895, and Pablo entered the local art academy (La Llotja), where his father had assumed his last post as professor of drawing. The family hoped that their son would achieve success as an academic painter, and in 1897 his eventual fame in Spain seemed assured; in that year his painting Science and Charity, for which his father modeled for the doctor, was awarded an honourable mention in Madrid at the Fine Arts Exhibition.

The Spanish capital was the obvious next stop for the young artist intent on gaining recognition and fulfilling family expectations. Pablo Ruiz duly set off for Madrid in the autumn of 1897 and entered the Royal Academy of San Fernando. But finding the teaching there stupid, he increasingly spent his time recording life around him, in the cafés, on the streets, in the brothels, and in the Prado, where he discovered Spanish painting. He wrote: “The Museum of paintings is beautiful. Velázquez first class; from El Grecosome magnificent heads, Murillo does not convince me in every one of his pictures.” Works by those and other artists would capture Picasso’s imagination at different times during his long career. Goya, for instance, was an artist whose works Picasso copied in the Prado in 1898 (a portrait of the bullfighter Pepe Illo and the drawing for one of the Caprichos, Bien tirada está, which shows a Celestina [procuress] checking a young maja’s stockings). Those same characters reappear in his late work—Pepe Illo in a series of engravings (1957) and Celestina as a kind of voyeuristic self-portrait, especially in the series of etchings and engravings known as Suite 347 (1968).

Picasso fell ill in the spring of 1898 and spent most of the remaining year convalescing in the Catalan village of Horta de Ebro in the company of his Barcelona friend Manuel Pallarès. When Picasso returned to Barcelonain early 1899, he was a changed man: he had put on weight; he had learned to live on his own in the open countryside; he spoke Catalan; and, most important, he had made the decision to break with his art-school training and to reject his family’s plans for his future. He even began to show a decided preference for his mother’s surname, and more often than not he signed his works P.R. Picasso; by late 1901 he had dropped the Ruiz altogether.

In Barcelona Picasso moved among a circle of Catalan artists and writers whose eyes were turned toward Paris. Those were his friends at the café Els Quatre Gats (“The Four Cats,” styled after the Chat Noir [“Black Cat”] in Paris), where Picasso had his first Barcelona exhibition in February 1900, and they were the subjects of more than 50 portraits (in mixed media) in the show. In addition, there was a dark, moody “modernista” painting, Last Moments (later painted over), showing the visit of a priest to the bedside of a dying woman, a work that was accepted for the Spanish section of the Exposition Universelle in Paris in that year. Eager to see his own work in place and to experience Paris firsthand, Picasso set off in the company of his studio mate Carles Casagemas (Portrait of Carles Casagemas [1899]) to conquer, if not Paris, at least a corner of Montmartre.

Blue Period of Pablo Picasso

Between 1901 and mid-1904, when blue was the predominant colour in his paintings, Picasso moved back and forth between Barcelona and Paris, taking material for his work from one place to the other. For example, his visits to the Women’s Prison of Saint-Lazare in Paris in 1901–02, which provided him with free models and compelling subject matter (The Soup [1902]), were reflected in his depictions of Barcelona street people—blind or lonely beggars and castaways in 1902–03 (Crouching Woman [1902]; Blind Man’s Meal [1903]; Old Jew and a Boy[1903]). The subject of maternity (women were allowed to keep nursing children with them at the prison) also preoccupied Picasso at a time when he was searching for material that would best express traditional art-historical subjects in 20th-century terms.

Պաբլո Պիկասո, ամբողջությամբ Պաբլո Դիեգո Խոսե Ֆրանցիսկո դե Պաուլա Խուան Նեպոմուկենո Կրիսպին Կրիսպինիանո Մարիա Ռեմեդիոս դե լա Սանտիսիմա Տրինիդադ Ռուիս Պիկասո, որը նաև կոչվում է (մինչև 1901 թվականը) Պաբլո Ռուիս կամ Պաբլո Ռուիս Պիկասո, Հոկտեմբերի 18,25,բոր: 8, 1973, Mougins, Ֆրանսիա), իսպանացի արտագաղթած նկարիչ, քանդակագործ, տպագրիչ, կերամիկիստ և բեմանկարիչ, 20-րդ դարի մեծագույն և ամենաազդեցիկ նկարիչներից մեկը և կուբիզմի ստեղծողը (Ժորժ Բրաքի հետ): (Պիկասոյի անվան մասին լրացուցիչ տեղեկությունների համար տե՛ս Հետազոտողի նշումը՝ Պիկասոյի լրիվ անունը:)

Պիկասոյի ստեղծագործության հսկայական մասը մնում է, և լեգենդը ապրում է հարգանքի տուրք «անհանգստացնող» իսպանացու կենսունակությանը «մռայլ… ծակող» աչքերով, ով սնոտիապաշտորեն հավատում էր, որ աշխատանքը նրան կենդանի կպահի: Իր 91 տարիներից մոտ 80-ը Պիկասոն իրեն նվիրել է գեղարվեստական ​​արտադրության, որը զգալիորեն նպաստել է 20-րդ դարում ժամանակակից արվեստի ողջ զարգացմանը և դրան զուգահեռ:

Կյանք և կարիերա

Վաղ տարիներ

Պաբլո Պիկասոն գծագրության պրոֆեսոր Խոսե Ռուիս Բլասկոյի և Մարիա Պիկասո Լոպեսի որդին էր։ Նկարելու նրա անսովոր հմտությունը սկսեց դրսևորվել վաղ՝ մոտ 10 տարեկանում, երբ նա դարձավ իր հոր աշակերտը Կորունայում, որտեղ ընտանիքը տեղափոխվեց 1891 թվականին: Այդ պահից ի վեր նա կարող էր փորձարկել այն, ինչ սովորել էր և զարգացնել նոր արտահայտչականություն: միջոցները արագ թույլ տվեցին նրան գերազանցել հոր կարողությունները: Ա Կորունայում նրա հայրը տեղափոխեց իր սեփական հավակնությունները իր որդու վրա՝ նրան տրամադրելով մոդելներ և աջակցել այնտեղ իր առաջին ցուցահանդեսին 13 տարեկանում:

Ընտանիքը տեղափոխվել է Բարսելոնա 1895-ի աշնանը, և Պաբլոն ընդունվել է տեղական գեղարվեստի ակադեմիա (La Llotja), որտեղ նրա հայրը ստանձնել էր նկարչության պրոֆեսորի իր վերջին պաշտոնը: Ընտանիքը հույս ուներ, որ իրենց որդին հաջողության կհասնի որպես ակադեմիական նկարիչ, և 1897 թվականին նրա վերջնական համբավը Իսպանիայում ապահովված թվաց. այդ տարում նրա «Գիտություն և բարեգործություն» նկարը, որի համար նրա հայրը մոդելավորել է բժշկի համար, արժանացել է պատվավոր մրցանակի Մադրիդում Գեղարվեստի ցուցահանդեսում:

Իսպանական մայրաքաղաքն ակնհայտ հաջորդ կանգառն էր երիտասարդ արտիստի համար, որը ցանկանում էր ճանաչելիություն ձեռք բերել և իրականացնել ընտանիքի ակնկալիքները: Պաբլո Ռուիսը 1897 թվականի աշնանը պատշաճ կերպով մեկնեց Մադրիդ և ընդունվեց Սան Ֆերնանդոյի թագավորական ակադեմիա։ Բայց այնտեղի ուսուցումը հիմար համարելով՝ նա ավելի ու ավելի էր ծախսում իր ժամանակն իր շուրջը ապրող կյանքն արձանագրելով՝ սրճարաններում, փողոցներում, հասարակաց տներում և Պրադոյում, որտեղ նա հայտնաբերեց իսպանական նկարչությունը: Նա գրել է. «Գեղեցիկ է նկարների թանգարանը։ Վելասկեսի առաջին դասարան; Էլ Գրեկոսոմի հոյակապ գլուխներից, Մուրիլոն ինձ չի համոզում իր նկարներից ոչ մեկում»: Այդ և այլ արվեստագետների ստեղծագործությունները կգրավեն Պիկասոյի երևակայությունը նրա երկարամյա կարիերայի տարբեր ժամանակներում: Գոյան, օրինակ, նկարիչ էր, ում աշխատանքները Պիկասոն պատճենել է Պրադոյում 1898 թվականին (ցլամարտիկ Պեպե Իլոյի դիմանկարը և Կապրիխոսներից մեկի նկարը՝ Bien tirada está, որտեղ պատկերված է Սելեստինան, որը ստուգում է երիտասարդ մաջայի գուլպաները։ ) Այդ նույն կերպարները կրկին հայտնվում են նրա վերջին աշխատանքում՝ Պեպե Իլոն փորագրությունների շարքում (1957) և Սելեստինան՝ որպես վոյերիստական ​​ինքնադիմանկար, հատկապես փորագրությունների և փորագրությունների շարքում, որը հայտնի է որպես «Suite 347» (1968):

Պիկասոն հիվանդացավ 1898 թվականի գարնանը և մնացած տարվա մեծ մասն անցկացրեց ապաքինվելով կատալոնական Հորտա դե Էբրո գյուղում՝ իր Բարսելոնայի ընկեր Մանուել Պալարեսի ընկերակցությամբ: Երբ 1899 թվականի սկզբին Պիկասոն վերադարձավ Բարսելոնա, նա փոխված մարդ էր. նա սովորել էր ինքնուրույն ապրել բաց գյուղերում. նա խոսում էր կատալոներեն; և, ամենակարևորը, նա որոշում էր կայացրել խզել իր գեղարվեստական ​​դպրոցը և մերժել իր ապագայի ընտանիքի ծրագրերը: Նա նույնիսկ սկսեց վճռական նախապատվություն տալ իր մոր ազգանունին, և ավելի հաճախ նա ստորագրում էր իր ստեղծագործությունները P.R. Picasso; 1901 թվականի վերջին նա ընդհանրապես հրաժարվել էր Ruiz-ից:

Բարսելոնայում Պիկասոն տեղափոխվեց կատալոնացի արվեստագետների և գրողների մի շրջանակի մեջ, որոնց հայացքն ուղղված էր դեպի Փարիզը: Նրանք նրա ընկերներն էին սրճարանում Els Quatre Gats («Չորս կատուները», ոճավորված Փարիզի Chat Noir [«Սև կատու»] հետո), որտեղ Պիկասոն 1900 թվականի փետրվարին ունեցավ իր առաջին Բարսելոնայի ցուցահանդեսը, և նրանք ավելի շատ թեմաներ էին: քան 50 դիմանկար (խառը մեդիայով) շոուի մեջ: Բացի այդ, կար մի մութ, տրամադրություն ունեցող «մոդեռնիստա» կտավ՝ «Վերջին ակնթարթները» (հետագայում ներկված), որը ցույց էր տալիս քահանայի այցելությունը մահացող կնոջ անկողնու մոտ, աշխատանք, որն ընդունվել էր «Exposition» Universelle-ի իսպանական բաժնի համար։ Փարիզն այդ տարում։ Ցանկանալով տեսնել իր աշխատանքը տեղում և զգալ Փարիզը, Պիկասոն իր արվեստանոցի ընկեր Կառլես Կասագեմասի (Կառլես Կասագեմասի դիմանկարը [1899]) ընկերակցությամբ մեկնեց՝ նվաճելու, եթե ոչ Փարիզը, գոնե Մոնմարտրի մի անկյունը:

Պաբլո Պիկասոյի կապույտ ժամանակաշրջանը

1901 թվականից մինչև 1904 թվականի կեսերը, երբ կապույտը գերակշռող գույնն էր իր նկարներում, Պիկասոն ետ ու առաջ շարժվում էր Բարսելոնայի և Փարիզի միջև՝ մի տեղից մյուսը տանելով իր աշխատանքի համար նյութերը: Օրինակ, նրա այցելությունները Փարիզի Սեն-Լազարի կանանց բանտ 1901–02-ին, որոնք նրան տրամադրեցին անվճար մոդելներ և գրավիչ թեմաներ («Ապուր» [1902]), արտացոլվեցին Բարսելոնայի փողոցային մարդկանց՝ կույրերի կամ կույրերի պատկերներում։ 1902–03-ին միայնակ մուրացկաններն ու անհետ կորածները (Կռկած կինը [1902]; Կույր տղամարդու ճաշը [1903]; Ծեր հրեա և մի տղա[1903]): Մայրության թեման (կանանց թույլատրվում էր երեխաներին կերակրել իրենց հետ բանտում) Պիկասոյին նույնպես զբաղեցրել էր այն ժամանակ, երբ նա փնտրում էր նյութ, որը լավագույնս կարտահայտեր 20-րդ դարի ավանդական արվեստի-պատմական թեմաները:

Artists of Armenia

presentation

Arshile Gorky

The most famous Armenian artist is Arshile Gorky, born Vostanik Manoog Adoyan (April 15th 1904 – Died July 21st 1948) and widely considered to be the Father of Abstract Expressionism. Gorky was born in the Armenian village of Khorkom near Van. He moved to the United States in 1920 at the age of 16 and became extremely influential in the genesis of Abstract Expressionism. On July 21st 1948 Gorky hanged himself in Sherman, Connecticut at the age of 44. He was buried in North Cemetery in Sherman, Connecticut.

Ivan Aivazovsky

Ivan Konstantinovich Aivazovsky (Born July 29, 1817 – Died May 5,1900), also known as Haivazovskiy, was a Russian painter of Armenian descent, most famous for his seascapes, which constitute more than half of his paintings. He gained international fame at the age of 25, was elected a member to five European Academies and was awarded the medal of the French Legion of Honor. Delacroix referred to him in reverence and Turner called him a genius.

Aivazovskiy’s name is intricately bound with the sea. In his best seascapes (and in a legacy of about 6000, there are some works which condescend to his artistic ability and others which merit singular artistic attention) he has revealed his inner self through the spirit of the times, his ideals of humanism, and the love of freedom. The artist lived by those ideals; the love that he had towards the oppressed, the help he offered and the work that he did for the public good make him an exceptional individual and a true son of his times.

Aivazovskiy was born to a poor Armenian family in the city of Theodosia in the Crimea. Some of artist’s paintings bear a signature, in Armenian letters, “Hovhannes Aivazian”.

At the age of twenty he graduates from the Art Academy of St. Petersburg with a gold medal. He goes to Italy to continue his studies and returns as an internationally acclaimed seascape painter. Neither financial security nor life in Palace interests him. He returns to his native land, builds a workplace on the seashore and, until the last days of his life, dedicates himself to the work that he loves. He participates in exhibitions all over the world. He gets recognition and glory as a representative of Russian art greatly helps in familiarizing it.

In Aivazovskiy’s creative work one finds such aspects of Armenian culture and national temperament that it becomes impossible to separate his art from his native people. It is this characteristic that gives Aivazovskiy’s creativity its unique quality.

Even in the early years, Aivazovskiy had a vivid and emotional understanding of reality. He always remained a romantic at heart even through his art could never separate itself from his academic background. The Artist’s expressive language was in complete harmony with the techniques that he used. As a young boy Aivazovskiy had known the sea, had loved it passionately and had known the secrets of its movements. It was this memory, together with his imagination, that was responsible for his best works. Rather than merely “reproduce” the sea, Aivazovskiy tells us its fables and thus makes a symbolic statement.

Aivazovskiy made his mark in contemporary art through his own rules and his own world view; he was true both to his academic background and his romantic inclinations.

The concept of light is all important to Aivazovskiy. The perceptive viewer will observe that while painting the waves, clouds or sky space, the artist’s emphasis is on the light. In Aivazovskiy’s art light is the eternal symbol for life, hope and faith. This is light the creator, the concept of which has its roots deep down in Armenian culture and its continuity in the next generation of Armenian artists.

To eliminate “The Armenian Question”, Sultan Abdul Hamid, in 1895, ordered a series of massacres which claimed the life of hundreds of thousands of Armenians. Numerous Armenian cultural monuments were burned or destroyed. This tragic reality shocked the artist: “My heart is full of grief for our ill-fated people; for this tragic and unprecedented massacre”, he wrote to the Armenian Catholicos Khrimian. He threw into the sea the medal that the Sultan had given him years before. He painted and exhibited canvases depicting the massacre. It was with pain and grief that he painted his last canvas “The Explosion of the Turkish Ship”, which he could not finish. The date was May 2nd, 1900.

Aivazovskiy’s house in Theodosia became a place for artistic pilgrimage. Armenian artists were invited there and actors and musicians performed there. It was there that artists like Bashinjagyan, Sureniants, Makhokhian and Shabanian started their creative life. Aivazovskiy’s dream was to create a union of Armenian artists from all over the world.

Minas Avetisyan

Minas Avetisyan (Born July 20, 1928 — Died 1975) was a painter.

He was born in the Armenian village of Djadjur. Leningrad, with its Academy of Fine Arts and its Hermitage, played a significant role in his becoming an artist. Avetisian always remembers with gratitude his teachers, Johannson, Zaitsev and Khudiakov: they never hindered the natural expression of his own artistic individuality.

Both in his student years and after graduating from the Academy, Avetisian traveled widely around Armenia, eagerly seeking out historical monuments; he studied the Armenian miniature and the works of the greatest Armenian artists, above all, Saryan’s.

His real emergence as an artist was at the “Exhibition of Five” in Yerevan (1962), where he revealed himself as a mature painter with a bright individuality. Numerous specialists and visitors to the exhibition thought highly of his work. In the presence of a large group of visitors and representatives of the press, the French artist Jean Lurcat exclaimed: “This artist rivals France’s best painters”.

He follows the national traditions in painting, yet he never resorts to slavish imitation or stylization. But he shows great freedom and originality in his use of means of expression found in the work of ancient miniaturists: bright sonorous colors, coordination of pictorial tension throughout the entire surface of the canvas, rhythmic arrangement of lines, the static quality of representation, and the absence of perspective.

And this is quite natural: like any artist of great talent, Avetisian has achieved an understanding of reality not so much through the study of the work of other masters, as through his own perception and interpretation of life.

Avetisian is one of those Armenian artists who put the color back into painting. “Put the color back into painting”-such an expression might seem strange, but if you go into the Matenadaran and look through the yellowed pages of the ancient manuscripts there, you will understand what is meant: there on the parchment, in all their splendor, shine the bright, sonorous colors- blue, yellow, green, red… Color plays an enormous role in the work of Avetisian. Some of his pictures are unequaled in contemporary Armenian painting in the intensity of their colors.

A few of Avetisian’s main canvases are devoted to the past of his people. It was by pure chance that the artist’s parents escaped the 1915 massacre. Not far from Djadjur several thousands of people were killed in a ravine. The generation which saw these terrible events with their own eyes is still alive. Often on winter evenings, sitting by the hearth of his village home the artist heard the accounts of eye-witnesses. Perhaps this is why a dramatic note is perceptible in many of his works. Laconicism, reserve and thoughtfulness are characteristic for the artist too. The dramatic quality in Minas Avetisyan’s history paintings is a tacit tribute to the memory of the dead.

To the most significant canvases of this cycle belongs the picture “The Road: A Recollection of My Parents” (1965-1967). Unfortunately, like many of his other works, it perished in the 1972 fire.

In the night of the January 1, 1972, while the artist was in Djadjur with his family, his Yerevan studio was burnt down together with a large portion of his best canvases selected for a one-man show.

Hovsep Pushman

Hovsep Pushman was one of those rare artists whose work was appreciated by both critics and collectors, and who enjoyed recognition and good fortune. In a 1932 one-man show at New York’s Grand Central Art Galleries, the entire display of 16 Pushman paintings was sold before opening day’s end.

Pushman, later a naturalized American citizen, was born in Armenia in 1877. At age 11, he held a scholarship at the Constantinople Academy of Art. By 17, he had gone to the United States and started teaching art in Chicago. Pushman received his formal education in Paris at the Beaux-Arts Academie under Lefebvre, Robert-Fleury and Dechenaud. He exhibited his work at the Salon des Artistes Francais in Paris, winning a bronze medal in 1914 and a silver medal in 1921. He also was awarded the California Art Club’s Ackerman prize in 1918.

Pushman’s artistic identity began to take shape after he opened his own studio in 1921. Robert-Fleury, upon seeing one of Pushman’s early studio still lives, advised the artist, “That painting is you.” Thereafter, Pushman’s career was devoted to one subject, oriental mysticism, and one form, the still life. His paintings typically featured oriental idols, pottery and glassware, all glowing duskily as if illuminated by candlelight. They were symbolic, spiritual paintings, and were sometimes accompanied by readings, which help explain their allegorical significance. Most important, they were exquisitely beautiful, executed with technical precision.

When “Twilight Comes” (date and location unknown) exemplifies the stunning beauty, mysterious mood and impeccable technique that made Pushman’s work so highly respected.

Hovsep Pushman, later a naturalized American citizen, was born in Armenia in 1877. At age 11, he held a scholarship at the Constantinople Academy of Art. By 17, he had gone to the United States and started teaching art in Chicago. He traveled for several years in China, immersing himself in oriental art and perhaps philosophy. He then studied in Paris under Lefebvre, Robert-Fleury and Dechenaud. He exhibited his work at the Salon des Artistes Francais in Paris, winning a bronze medal in 1914 and a silver medal in 1921. He also was awarded the California Art Club’s Ackerman Prize in 1918.

Pushman’s artistic identity began to take shape after he opened his own studio in 1921. Robert Fleury, upon seeing one of Pushman’s early studio still life’s, advised the artist, “That painting is you.” In a 1932 one-man show at New York’s Grand Central Art Galleries, the entire display of 16 Pushman paintings was sold before opening day’s end.

Thereafter, Pushman’s career was devoted to one subject, oriental mysticism, and one form, the still life. His paintings typically featured oriental idols, pottery and glassware, all glowing duskily as if illuminated by candlelight. They were symbolic, spiritual paintings, and were sometimes accompanied by readings, which help explain their allegorical significance. Most important, they were exquisitely beautiful, executed with technical precision. “When Twilight Comes” (date and location unknown) exemplifies the stunning beauty, mysterious mood and impeccable technique that made Pushman’s work so highly respected.

Martiros Saryan

Martiros Saryan (Born either 16 or 28 February 1880 — Died 5 May 1972) was a Soviet-Armenian painter.

Saryan was one of the plead of major cultural figures of Armenia at the turn of the century. His work, in common with the library contributions of O. Tumanian and A. Isaakian, those of T. Toramanian and A. Tamanian in architecture, and of Komitas in national music, set the standard of national art, and laid the foundations for its flowering in the Soviet period. Hi was born in 1880 and dead in 1972. In the course of his long life, Saryan experienced much sorrow and much joy. He witnessed the two World Wars and the tragedy of genocide in Armenia in 1915. He suffered the destruction of many of his paintings, and the death of his beloved son.

Recalling his own background, Saryan said, “My ancestors had come to the banks of the river Don from the Crimea, and to the Crimea from Ani, the capital of medieval Armenia. I was born into a family which followed the old patriarchal customs. There were nine children and I was the seventh.” I do not know when the artist was born in me. It was probably in those days when I used to listen to my parents’ stories about our mountainous, enchanted country, when I used to run as a small boy over the land around our home, and was filled with joy at the many colors of the butterflies, insects and flowers. Color, light and day-dreaming – those are what fired me”. The Fancies and Dreams present a synthesis of the aesthetic aims which the artist set himself at that time. He was striving to represent nature symbolically as a “living entity”. The works of this period, which Saryan began to show at Moscow exhibitions, were executed mainly in watercolors and tempera. They include: “Flowering Mountains”, “The Comet”,” By the sea: Sphinx”, “Two Panthers”, “Under the Pomegranate”, “At the Well on a Hot Day” and others.

A new stage in Saryan’s work began in 1909. There is no longer anything fantastic in the subjects of such paintings as “Self-portrait” (two versions), “In the Grove at Sambek”, “Morning at Stavrino”, “Hyenas”, or “Burning Heat with a Dog Running”. In “Morning at Stavrino”, an actual place is depicted, the yard of his father’s farm, yet the canvas breathes the mystery of awakening nature.

Among his celebrated pictures belonging to the beginning of the 1910s are “A Street at Noon: Constantinople, Dogs of Constantinople, Date-palm in Egypt, Night Landscape, Still-life with Grapes, Flowers of Kalaki, Still-life with Masks, Flowers of the East”. Each of these works, with its brilliant, joyous colors, overcomes the viewer with a sensation of the joy of life.

Landscape always remained a leading aspect of Saryan’s art. But beginning with the 1920s landscape became more synthetic monumental in character. The artist creates a generalized image of Armenia. In the paintings “Armenia”, “Mountains”, “Midday Stillness”, “Erevan”, “Mount Aragats”, an effect of spatial depth is achieved through a balanced arrangement of saturated color patches. The absolute harmony of color and light arouses in the viewer a restful feeling, a deep sense of peace.

The artist brings to each of his works the most delicate shades of a mood, an intimate, lyrical mood in most cases. He composes cycles in which the meaning of the present and the eternal is philosophically explored. One such series consisting of seven landscapes, “My Homeland”.

Lori region

Lori is located in the northeast part of Armenia and borders on Georgia. The name Lori first appeared in the 11th century when King David I Anhoghin founded the fortified city of Lori. The fortress-city became the capital of the Kingdom of Tashir-Dzoraget in 1065. The name Lori later spread and replaced the original name of the region -Tashir. The capital city of Lori is Vanadzor – the 3rd largest city in Armenia. Nowadays Vanadzor is known as a resort city.

The region is famous for its medieval monasteries Haghpat and Sanahin located in the picturesque nature of Lori. The rivers Pambak, Dzoraget, Debet, and Aghstev flow through this beautiful region. The important towns of Lori are Alaverdi, Spitak, Stepanavan, and Tashir. It is considered to be one of the most beautiful regions of Armeni

Լոռին գտնվում է Հայաստանի հյուսիս-արևելյան մասում և սահմանակից է Վրաստանին։ Լոռի անունը առաջին անգամ հայտնվել է 11-րդ դարում, երբ Դավիթ Ա Անհողին թագավորը հիմնադրեց Լոռի բերդաքաղաքը։ Բերդաքաղաքը 1065 թվականին դարձել է Տաշիր-Ձորագետի թագավորության մայրաքաղաքը։ Լոռի անվանումը հետագայում տարածվել է և փոխարինել շրջանի սկզբնական անվանը՝ Տաշիր։ Լոռու մայրաքաղաքը Վանաձորն է՝ Հայաստանի մեծությամբ 3-րդ քաղաքը։ Վանաձորը մեր օրերում հայտնի է որպես առողջարանային քաղաք։ Մարզը հայտնի է Լոռվա գեղատեսիլ բնության գրկում գտնվող միջնադարյան Հաղպատ և Սանահին վանքերով: Այս գեղատեսիլ շրջանով հոսում են Փամբակ, Ձորագետ, Դեբետ և Աղստև գետերը։ Լոռու կարևոր քաղաքներն են Ալավերդին, Սպիտակը, Ստեփանավանը և Տաշիրը։ Համարվում է Հայաստանի ամենագեղեցիկ շրջաններից մեկ

24 km north of Vanadzor is the town of Stepanavan․ The town has a mild and humid climate and is considered a resort town due to its natural and climatic conditions. The most famous place of Stepanavan is Dendropark, a unique park, where a natural forest landscape has been reshaped into a Forest Park. It is home to a wide variety of trees: both native and acquired from other botanic gardens. California Sequoia of the park is of particular valu

The Dendropark was established by Polish engineer-forester Edmund Leonowicz in 1931. It may be safely said that Stepanavan Dendropark is the best park in Armenia. The place is perfectly pleasant to stroll and enjoy the peaceful nature and breathe fresh air. The place is especially popular in summer and during the pine tree pollen season (April-May) when favorable conditions for allergic people and those with chronic respiratory diseases are create

Վանաձորից 24 կմ հյուսիս գտնվում է Ստեփանավան քաղաքը։ Քաղաքն ունի մեղմ և խոնավ կլիմա և բնական և կլիմայական պայմանների պատճառով համարվում է առողջարանային քաղաք։ Ստեփանավանի ամենահայտնի վայրը Դենդրոպարկն է՝ եզակի այգի, որտեղ բնական անտառային լանդշաֆտը վերածվել է Անտառային պարկի։ Այստեղ ապրում են ծառերի լայն տեսականի՝ և՛ բնիկ, և՛ ձեռք բերված այլ բուսաբանական այգիներից: Առանձնահատուկ արժեք ունի այգու Կալիֆորնիայի սեքվոյան։ Դենդրոպարկը հիմնադրվել է լեհ ինժեներ-անտառագետ Էդմունդ Լեոնովիչի կողմից 1931 թվականին: Կարելի է վստահորեն ասել, որ Ստեփանավանի դենդրոպարկը Հայաստանի լավագույն այգին է: Վայրը կատարյալ հաճելի է զբոսնել և վայելել խաղաղ բնությունը և շնչել մաքուր օդ։ Վայրը հատկապես հայտնի է ամռանը և սոճու ծաղկափոշու սեզոնին (ապրիլ-մայիս), երբ բարենպաստ պայմաններ են ստեղծվում ալերգիկ մարդկանց և շնչառական քրոնիկ հիվանդություններ ունեցողների համա

Historical sights of Lori Regi

Haghpat Monaster

The monasteries of Haghpat and Sanahin are among the most magnificent and popular churches in Armenia included in the UNESCO World Heritage List.

Haghpat Monastery was built in the 10th -13th centuries by the Bagratid king Ashot III and Queen Khosrovanuysh. The complex includes four churches Saint Grigor(1244), Saint Astvatsatsin (1281), Saint Katoghike(12th century) and Saint Stephanos(1232), two courtyards, refectory, prayer halls and khachkars(cross-stones

Sanahin Monaste

Sanahin is a monastery complex in the town of Alaverdi. Sanahin monastery includes Saint Astvatsatsin and Saint Savior churches with their courtyards.

The first church of the complex Saint Astvatsatsin was built in the 10th century. The church structure belongs to cross-domed types of constructions. The exterior and interior walls are decorated with sculptures and engravings.

Լոռու մարզի պատմական տեսարժան վայրեր Հաղպատի վանք Հաղպատի և Սանահինի վանքերը ՅՈՒՆԵՍԿՕ-ի համաշխարհային ժառանգության ցանկում ընդգրկված Հայաստանի ամենահոյակապ և սիրված եկեղեցիներից են։ Հաղպատի վանքը կառուցվել է 10-13-րդ դարերում Բագրատունյաց թագավոր Աշոտ III-ի և Խոսրովանույշ թագուհու կողմից։ Համալիրը ներառում է չորս եկեղեցիներ՝ Սուրբ Գրիգոր (1244), Սուրբ Աստվածածին (1281), Սուրբ Կաթողիկե (12-րդ դար) և Սուրբ Ստեփանոս (1232), երկու գավիթ, սեղանատուն, աղոթասրահներ և խաչքարեր (խաչքարեր)։ Սանահինի վանք Սանահինը վանական համալիր է Ալավերդի քաղաքում։ Սանահինի վանքը ներառում է Սուրբ Աստվածածին և Սուրբ Ամենափրկիչ եկեղեցիներն իրենց բակերով, ինչպես նաև Սուրբ Գրիգոր և Սուրբ Հարություն մատուռները, ճեմարանը, գրչատունը, զանգակատունը և Կյուրիկյանի Զաքարյանների պապենական դամբարանները։ Համալիրի առաջին եկեղեցին Սուրբ Աստվածածին կառուցվել է 10-րդ դարում։ Եկեղեցու կառուցվածքը պատկանում է խաչաձև գմբեթավոր շինությունների տիպերին։ Արտաքին և ներքին պատերը զարդարված են քանդակներով և փորագրություններով։

Odzun Monastery

If you are visiting Lori take a sightseeing tour to the church of Odzun, which is an Armenian basilica of 5th–7th centuries in the Odzun village. Odzun is the largest historic village in the Lori Province situated on a plateau above the left bank of the Debed river gorge. The Odzun plateau itself is a truly impressive and spectacular place to visit.

The first church was built here in the 6th century. In the 8th century, it was reconstructed by Hovhannes III Odznetsi who served as the katholikos between 717 and 728 and was from the village of Odzun. There are numerous gravestones of the clergy around the church and a funerary monument. Its stepped platform supports two carved stelae between double arches. It is suggested that this monument commemorates Hovhannes Odznetsi, but its style suggests that it was probably erected earlier, in the 6th century.

The climate of the Lori region

Lori Region has a relatively humid climate. In the middle and high regions, the climate is mountainous with long and cold winters. Summer is warm but humid. Annual precipitation is 600-700 mm.

The population of the Lori region

According to the calculations of 2011, the population of the region is 235 537 people. 98.10%-Armenians, 1.34%-Russians. There also live Yazidis, Greeks, Ukrainians.

Օձունի վանք Եթե ​​Լոռի եք այցելում, այցելեք Օձունի եկեղեցի, որը 5-7-րդ դարերի հայկական բազիլիկ է Օձուն գյուղում: Օձունը Լոռու մարզի ամենամեծ պատմական գյուղն է, որը գտնվում է Դեբեդ գետի կիրճի ձախափնյա սարահարթի վրա: Օձունի սարահարթն ինքնին իսկապես տպավորիչ և տպավորիչ վայր է այցելելու համար: Առաջին եկեղեցին այստեղ կառուցվել է 6-րդ դարում։ 8-րդ դարում այն ​​վերակառուցվել է Հովհաննես Գ Օձնեցու կողմից, ով 717-728 թվականներին կաթողիկոս է ծառայել և Օձուն գյուղից էր։ Եկեղեցու շրջակայքում կան բազմաթիվ հոգևորականների գերեզմանաքարեր և թաղման հուշարձան։ Նրա աստիճանավոր հարթակը կրում է երկու փորագրված ստելաներ կրկնակի կամարների միջև։ Ենթադրվում է, որ այս հուշարձանը ոգեկոչում է Հովհաննես Օձնեցուն, սակայն նրա ոճից կարելի է ենթադրել, որ այն կանգնեցվել է հավանաբար ավելի վաղ՝ 6-րդ դարում։ Լոռու մարզի կլիման Լոռու մարզն ունի համեմատաբար խոնավ կլիմա։ Միջին և բարձր շրջաններում կլիման լեռնային է՝ երկար և ցուրտ ձմեռներով։ Ամառը տաք է, բայց խոնավ: Տարեկան տեղումները 600-700 մմ են։ Լոռու մարզի բնակչությունը 2011 թվականի հաշվարկներով մարզի բնակչությունը կազմում է 235 537 մարդ։ 98,10%- հայեր, 1,34%- ռուսներ. Այնտեղ ապրում են նաև եզդիներ, հույներ, ուկրաինացիներ։

Vanadzor is the capital city of the Lori region. It is the 3-rd largest city in Armenia and the industrial, economic, educational and cultural center of Lori. The city is about 120 kilometers (75 miles) north of the capital Yerevan. Vanadzor was known as Gharakilisa, then in the Soviet period as Kirovakan, and after the independence of Armenia in 1992, Kirovakan  was renamed Vanadzor.

The city is located in the valley of the Pambak river, 1350 meters above sea level, surrounded by the mountains of Bazum and Pambak. From East and South the city is surrounded by forests, from North and West – by hills covered with bushes and plants. The climate in Vanadzor is characterized by cool summers and relatively mild winters.

The word Vanadzor is a combination of two words meaning “Valley of Van”, Van refers to the historic Armenian city of Van (now in the territory of Turkey). The area of the present-day Vanadzor has been settled since the Bronze Age, which is proved by the tombs and other historical remains found on the hills of Tagavoranist and Mashtots. The area was a part of the Tashir of Gugark; which was the 13th province of the Kingdom of Armenia.

Վանաձորը Լոռու մարզի մայրաքաղաքն է։ Այն Հայաստանի 3-րդ ամենամեծ քաղաքն է և Լոռու արդյունաբերական, տնտեսական, կրթական և մշակութային կենտրոնը։ Քաղաքը գտնվում է մայրաքաղաք Երևանից մոտ 120 կիլոմետր (75 մղոն) հյուսիս։ Վանաձորը հայտնի էր Ղարաքիլիսա անունով, ապա խորհրդային տարիներին՝ Կիրովական, իսկ Հայաստանի անկախացումից հետո՝ 1992 թվականին, Կիրովականը վերանվանվեց Վանաձոր։ Քաղաքը գտնվում է Փամբակ գետի հովտում, ծովի մակարդակից 1350 մետր բարձրության վրա, շրջապատված Բազումի և Փամբակի լեռներով։ Արևելքից և հարավից քաղաքը շրջապատված է անտառներով, հյուսիսից և արևմուտքից՝ թփուտներով և բույսերով ծածկված բլուրներով։ Վանաձորի կլիման բնութագրվում է զով ամառներով և համեմատաբար մեղմ ձմեռներով։ Վանաձոր բառը երկու բառի համակցություն է, որը նշանակում է «Վանի հովիտ», Վանը վերաբերում է պատմական հայկական Վան քաղաքին (այժմ՝ Թուրքիայի տարածքում): Ներկայիս Վանաձորի տարածքը բնակեցված է եղել դեռևս բրոնզի դարից, ինչի մասին են վկայում Թագավորանիստի և Մաշտոցի բլուրների վրա հայտնաբերված դամբարաններն ու պատմական այլ մնացորդները։ Տարածքը Գուգարքի Տաշիրի մի մասն էր; որը Հայաստանի թագավորության 13-րդ գավառն էր։

Sights of Vanadzor

Vanadzor is a beautiful quiet city surrounded by mountains and forests, with low-raised buildings and lovely parks. The city was a popular resort during the Soviet period. There were skiing routes, ropeway, summer camps, and resort houses in the city. Unfortunately, Vanadzor, along with Gyumri and Spitak, suffered extensive damage during the earthquake in 1988. However, it has been reconstructed and is becoming a popular resort again.

Vanadzor is the educational and cultural center of Lori Province. The Vanadzor House of Culture named after Charles Aznavour is one of the largest cultural centers in Armenia. The Eduard Kzartmyan school of music has been operating in the city since 1934, the fine art museum since 1974, and the house-museum of writer Stepan Zoryan since 1990.

Vanadzor is the seat of the Diocese of Gougark of the Armenian Apostolic Church. The church of the Holy Mother of God (1831), is the oldest church in the city. Saint Gregory of Narek Cathedral, opened in 2005, is named after Saint Gregory of Narek to commemorate the 1000th anniversary of his Book of Lamentations. Orthodox Church of the Nativity of the Blessed Virgin Mary, opened in 1895, is serving the city’s small Russian community.

Վանաձորի տեսարժան վայրեր Վանաձորը գեղեցիկ հանգիստ քաղաք է՝ շրջապատված լեռներով և անտառներով, ցածրահարկ շենքերով և գեղեցիկ այգիներով: Խորհրդային տարիներին քաղաքը հայտնի հանգստավայր էր։ Քաղաքում կային դահուկային երթուղիներ, ճոպանուղիներ, ամառային ճամբարներ, առողջարանային տներ։ Ցավոք, Վանաձորը Գյումրիի և Սպիտակի հետ միասին 1988-ի երկրաշարժի ժամանակ մեծ վնասներ կրեց, սակայն այն վերակառուցվել է և կրկին դառնում է հայտնի հանգստավայր։ Վանաձորը Լոռու մարզի կրթամշակութային կենտրոնն է։ Վանաձորի Շառլ Ազնավուրի անվան մշակույթի տունը Հայաստանի խոշորագույն մշակութային կենտրոններից է։ 1934 թվականից քաղաքում գործում է Էդուարդ Կզարթմյանի անվան երաժշտական ​​դպրոցը, 1974 թվականից՝ կերպարվեստի թանգարանը, 1990 թվականից՝ գրող Ստեփան Զորյանի տուն-թանգարանը։ Վանաձորը Հայ առաքելական եկեղեցու Գուգարաց թեմի նստավայրն է։ Սուրբ Աստվածածին եկեղեցին (1831), քաղաքի ամենահին եկեղեցին է։ Սուրբ Գրիգոր Նարեկացի Մայր տաճարը, որը բացվել է 2005 թվականին, կրում է Սուրբ Գրիգոր Նարեկացու անունը՝ ի հիշատակ իր «Ողբի մատյան» 1000-ամյակի։ Սուրբ Կույս Մարիամի Սուրբ Ծննդյան ուղղափառ եկեղեցին, որը բացվել է 1895 թվականին, ծառայում է քաղաքի փոքր ռուսական համայնքին:

There are several important state universities and colleges in Vanadzor․ The city is also famous for its Horevel Folk Dance Ensemble (founded in 1958), Vanadzor Chamber Music Choir (1989), and Vanadzor Chamber Orchestra (1993). Some modern rock bands famous in Armenia have been formed in Vanadzo

It is home to many theatres including the Bohem Chamber Theatre of Vanadzor, Vanadzor Musical Theatre, Vanadzor Drama Theatre named after Hovhannes Abelyan, and Vanadzor Puppet Theatre.

One of the beloved spots of the residents is the artificial lake not far from the center. It is especially popular on hot summer days when children, and not only, swim and have fun here. Nearby is the famous Armenia Vanadzor Spa and Hotel Complex

Վանաձորում կան մի քանի կարևոր պետական ​​բուհեր և քոլեջներ։ Քաղաքը հայտնի է նաև իր «Հորվել» ժողովրդական պարի համույթով (հիմնադրվել է 1958 թվականին), Վանաձորի կամերային երաժշտության երգչախումբով (1989), Վանաձորի կամերային նվագախումբ (1993): Վանաձորում ստեղծվել են Հայաստանում հայտնի ժամանակակից ռոք խմբեր։ Այստեղ են գտնվում բազմաթիվ թատրոններ, այդ թվում՝ Վանաձորի Բոհեմ կամերային թատրոնը, Վանաձորի երաժշտական ​​թատրոնը, Վանաձորի Հովհաննես Աբելյանի անվան դրամատիկական թատրոնը և Վանաձորի տիկնիկային թատրոնը: Բնակիչների սիրելի վայրերից է կենտրոնից ոչ հեռու գտնվող արհեստական ​​լիճը։ Այն հատկապես տարածված է ամառվա շոգ օրերին, երբ այստեղ լողում ու զվարճանում են երեխաները, և ոչ միայն։ Մոտակայքում է գտնվում հայտնի Արմենիա Վանաձորի սպա և հյուրանոցային համալիր

In warm summer evenings, the locals love to stroll in the parks and along the city streets, as well as in Hayq Square surrounded by beautiful buildings. In the center of the square, you will see the new musical fountains that have no prototype in the region. Thus, welcome to Vanadzor – an excellent place for those who love nature and quiet peaceful city life with slow pace and harmon

Ամառային տաք երեկոներին տեղացիները սիրում են զբոսնել զբոսայգիներում և քաղաքի փողոցներով, ինչպես նաև գեղեցիկ շենքերով շրջապատված Հայքի հրապարակում։ Հրապարակի կենտրոնում կտեսնեք նոր երաժշտական ​​շատրվանները, որոնք տարածաշրջանում նախատիպ չունեն։ Այսպիսով, բարի գալուստ Վանաձոր՝ հիանալի վայր նրանց համար, ովքեր սիրում են բնությունը և հանգիստ քաղաքային կյանքը՝ դանդաղ տեմպերով և ներդաշնակությամբ:

English

Affordable destinations – Places that
are within a person’s financial means.
Not expensive/luxury
Affordable travel – Trips that are
within a person’s financial means
All-inclusive – A trip where all food,
drink, and accommodation are
provided
Around the world – A large proportion
of the world. Many
destinations/continents.
Bed and breakfast – A type of
accommodation that provides a room
and breakfast
Breathtaking view – A view that is
extremely beautiful or amazing
Bucket list – The places you want to
visit and things you want to do in your
lifetime
Get around – To move from place to
place

Get away- To go on holiday/vacation/ (n) The

holiday/vacation itself

Guided tour – Part of a trip where

tourists are taken from place to place

and given information by a guide

Head for/towards

To go

in a certain

direction or the direction of a specific

place

Holiday destination

– Place where

people go on holiday/vacation

Itchy feet/Wanderlust – The desire to

travel

Long haul/Short-haul destination – A

destination far away from your home/

close to your home

Long haul/Short-haul flight- A flight

that takes 6 + hours / A flight that

takes -3 hours

Middle of nowhere – A place that is

remote and far from civilisation

Off the beaten track – Away from

where the tourists normally go

Out of season –
The part of the year
when it is not very busy
Package holiday – A holiday where
the flight and accommodation, and
often food, are included
Peak season – The busiest time of the
year. For example, school holidays and
Christmas
Swarming with tourists – Lots of
tourists in a particular place
Tour guideThe person who leads
guided tours to visit attractions and
sights
Tourist trap
A place that attracts
and exploits tourists
Travelling light

To go on a trip with
little bags or luggage
When in Rome (do as the Romans do)
When you go to a place you should
follow the customs/rules of the local
people